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Gillian Welch & David Rawlings: American Originals

July 25, 2010 By Greg Falken Leave a Comment

I was surprised when I looked back over previous posts here and found that I hadn’t written anything about the amazing duo of Gillian Welch and David Rawlings. I first became aware of Gillian Welch with her duet of I’ll Fly Away (with Alison Krauss) in the 2000 film O Brother, Where Art Thou. I later saw her perform with David Rawlings at the Hardly Strictly Bluegrass Festival, in San Francisco and I was thoroughly hooked.

While Gillian has been more in the foreground, David’s contribution as singer, producer and guitarist extraordinaire make the pair into an inseparable whole. Their music is often quiet and introspective but also displays a full range of emotions. I actually find this performance of Caleb Meyer to be frightening in its intensity.

A new project, The David Rawlings Machine, puts the musical emphasis on David’s voice and songwriting. In this short set for the NPR’s Tiny Desk series, Gillian and David perform 4 songs. The first, I’m on My Way Back to the Old Home by Bill Monroe, actually starts out as their sound-check but turns into a full and thrilling version of an old standard.

The sound geek in me notes that this session was recorded with a single microphone and the “mix” we hear is Gillian and David themselves drawing on more than 15 years of performing together. Note too that David’s instrument of choice is the 1935 Epiphone Odyssey arch-top that he plays in both of these clips.

Music and the Arts Tagged: Alison Kraus, Americana, Bill Monroe, Epiphone, Hardly Strictly, video

El Sistema Comes to the U.S.

January 3, 2010 By Greg Falken 6 Comments

My mother, who lives in Los Angeles, has been telling me about the new, young conductor of the LA Philharmonic and his involvement in music education for disadvantaged kids but it didn’t really sink in until I watched some YouTube videos (see below) of performances by the youth symphony that he directs in his native Venezuela. Having watched these and followed up with more reading, it’s fair to say that I’m blown away by this sweeping and successful program. Here’s the story.

Thirty three years ago, Jose Antonio Abreu had an ambitious dream to bring music to the youth of Venezuela, without regard for class or race. At the first gathering, his concern was that he had only 50 music stands for an expected 100 children. This turned out not to be a problem when only 11 showed up. From these tenuous beginnings, he forged El Sistema (The System), more formally known as the Fundación del Estado para el Sistema Nacional de las Orquestas Juveniles e Infantiles de Venezuela (National Network of Youth and Children’s Orchestras of Venezuela).  Today, 300,000 children attend its music schools around the country and perform in its 600 orchestras.

The goal of El Sistema is not to produce virtuoso musicians but rather to promote social organization and community development. From a 2007 New York Times article:

The most remarkable feature of the Venezuelan music-education system is its instant immersion: the children begin playing in ensembles from the moment they pick up their instruments. Their instructors say the students are learning to behave as much as they are discovering how to make music. “In an orchestra, everybody respects meritocracy, everybody respects tempo, everybody knows he has to support everyone else, whether he is a soloist or not,” explains Igor Lanz, the executive director of the private foundation that administers the government-financed sistema. “They learn that the most important thing is to work together in one common aim.” Across Venezuela the sistema has established 246 centers, known as nucleos, which admit children between 2 and 18, assign them instruments and organize them into groups with instructors. Typically practicing for two or three hours every day, the children are performing recognizable music virtually from the outset.

Maestro Gustavo Dudamel is El Sistema’s most famous graduate. Last year, at age 28, he became the Music Director of the Los Angeles Philharmonic Orchestra, while continuing as Music Director of the Gothenburg [Sweden] Symphony and the Simón Bolívar Youth Orchestra of Venezuela. (Interestingly, LA has a history of hiring the very young; Zubin Mehta was just 26 when he took over the Philharmonic in 1962.) Dudamel also brought El Sistema to Los Angeles, starting with his debut performance at the Hollywood Bowl. Jill Stewart, of the LA Weekly, blogged about the October 2009 concert:

The most amazing moment last night, by far, was when YOLA (Youth Orchestra Los Angeles), who were recruited from tough areas including gang-ridden South Central, performed Beethoven. Dudamel almost physically dragged these gifted-but-clearly-a-ways-to-go neophytes through the piece. It was incredible to watch him — and them.

Yes, you could hear a bit of discord, a few instruments coming in late, that sort of thing. But it was gorgeous — and at the triumphant ending, as the final notes rang out, the childrens’ mostly working class parents, sitting right up front in poolside seats that normally probably cost $100 or $200, absolutely ERUPTED with glee.

El Sistema has become a global movement, including established programs in Scotland and England. In the US, The New England Conservatory has launched El Sistema USA, whose first project is the Abreu Fellows Program. This program “provides tuition-free instruction and a living stipend for outstanding young postgraduate musicians, ‘passionate for their art and for social justice,’ who seek to guide the development of El Sistema programs in the U.S. and beyond. ”

To really appreciate the potential of this movement, watch the videos. The first is of Gustavo Dudamel conducting the Teresa Carreño Youth Orchestra, made up of outstanding high school (yes, high school!) musicians from El Sistema.

Also inspiring is this TED Talk  by Jose Antonio Abreu, the founder of El Sistema.

Photo courtesy of  the National System of Youth and Children’s Orchestras of Venezuela

Education, Music and the Arts Tagged: Gustavo Dudame, Jose Antonio Abreu, music, sistema, video

Hard Times Come Again No More

November 26, 2009 By Greg Falken 3 Comments

This Thanksgiving day feels a bit melancholy to me. We’re in a time of radical change and the stresses and strains are being felt all over. This song, by Stephen Foster, is from hard times of another era (the great depression of 1850), yet speaks eloquently of bringing empathy to people of all circumstances. That we can do so is something to be truly thankful for.

Stephen Foster (1826-1864) may be America’s first professional song writer. During his most productive years, he composed such American standards as Oh, Susanna (1848), Camptown Races (1850), My Old Kentucky Home (1853) and Jeannie With the Light Brown Hair (1854). Much of his music was written for minstrel shows, where it was performed in blackface. In what was actually an enlightened attitude for his time, Foster instructed that his songs should be performed in a pathetic, rather than a humorous style (pathetic meaning “to engender compassion”). During this time, he also eliminated dialect from his lyrics and stopped referring to his music as “plantation songs”, preferring the term “American melodies”.

Biographical information drawn from the University of Pittsburgh and the Pittsburgh Tribune-Review.

Music and the Arts Tagged: McGarrigle, Stephen Foster, video

Better Blog Editing with ScribeFire

October 14, 2009 By Greg Falken Leave a Comment

ScribeFireWordPress is a great publishing platform but I find its editor to be rather cramped and not very conducive to actually writing. The editing window is only 10 lines high by default and there are lots of other panels, checkboxes and drop-down menus competing for your attention while you write. I wanted an editor that presented more of a blank page.

There are approximately a gazillion external editors available that will post to a WordPress blog but a couple of factors narrowed my search. First, I didn’t really want to install yet another application on my computer. Second, and this really narrowed the field, I wanted to post my writings to WordPress as a draft, so that I can make final changes within WordPress itself. I’m compulsive enough that I always want to tinker with my posts, previewing them many times, before hitting the “publish” button. Also, WordPress changes quickly enough that it’s unrealistic to expect a 3rd party tool to stay in sync with its features. I wanted to decouple the two.

The writing tool that I settled on is ScribeFire, a plugin for the Firefox browser. Since it’s a plugin, it didn’t require installing any new software and it will publish in draft mode. ScribeFire works with several different blogging platforms, however I have only used it with this WordPress blog.

Installation is the same as with all Firefox plugins: click the “install” button, wait for the download to complete and restart Firefox. Once that’s done, you’ll have an additional icon in the Firefox tool tray and another entry for ScribeFire in the Tools menu. Selecting either of these opens the ScribeFire editor on a new Firefox tab.

Here’s a screencast of ScribeFire in action (for best viewing, use full screen mode):

Technology Tagged: Firefox, plugin, ScribeFire, video, WordPress

Revival

September 20, 2009 By Greg Falken 3 Comments

Birch Lake

Birch Lake

Sunday mornings at Strawberry Music Festival involves a lot of walking.  First thing after crawling out of my sleeping bag is to hoof it down to Music Meadow to do the “Strawberry Stroll”, during which you stand in line with a couple of hundred fellow Strawberians, waiting to lay out blankets, tarps and chairs for the day.  The gates open at 7 am and by 7:30 we’re all situated and headed back to our camps.

Since it’s Sunday, I’ll grab another blanket and head on down to Birch Lake, for the Revival that starts at 9 am.  Revival is a long-standing tradition at Strawberry and it’s often a challenge for the musicians who enjoyed the “Strawberry Way” late into the evening the night before.  Many bluegrass festivals have a gospel show on Sunday mornings but that doesn’t quite describe the Revival.

Rather than an invocation, we start with a story, often told by Strawberry’s resident storyteller, B.Z. Smith.  Whatever the subject, these stories always provoke a profound sense of gratitude and togetherness among the several hundred souls gathered there on the grass.  And then the music begins.

It’s a different feeling from the main stage at Music Meadow.  Bands that blazed though their sets the night before play with a bit more thoughtfulness (or so I imagine).  And, yes, there are more gospel numbers and they are welcomed.  The paid ticket holders have been here for three days now, the volunteers one or two days more.  Just about everyone is in need of a little revival to make it through the last day of the festival.

The closing act is the Del McCoury Band.  He and his band, including his sons on mandolin and banjo, are dressed in suits and ties, as they are for all their shows.  This year, Del is celebrating his 70th birthday and 50th anniversary playing bluegrass music.  At this announcement, he receives a prolonged standing ovation from a crowd that looks much different from those in his native North Carolina but  who are no less appreciative.

One of the songs performed by Del McCoury that morning is the gospel standard, Get Down On Your Knees and Pray, performed in this video at the Ryman Auditorium in Nashville, in 2002.  I’m here to tell you, Del hasn’t lost a step or a note in the past seven years.  Just imagine yourself listening to those harmonies under the birch trees on a cool September morning in the Sierras.

Music and the Arts Tagged: BZ Smith, Del McCoury, revival, Strawberry, video

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As a web developer since 1995, I find my attention increasingly drawn to the intersection of computers, the Internet, communication and education. On this blog, I indulge my interest in these and several other topics. I hope you find them interesting too. Read More…

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