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	<title>GregFalken.com &#187; Hardly Strictly</title>
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	<description>Thoughts on humanizing technology</description>
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		<title>Gillian Welch &amp; David Rawlings: American Originals</title>
		<link>http://www.gregfalken.com/2010/07/gillian-welch-david-rawlings-american-original/</link>
		<comments>http://www.gregfalken.com/2010/07/gillian-welch-david-rawlings-american-original/#comments</comments>
		<pubDate>Sun, 25 Jul 2010 15:47:23 +0000</pubDate>
		<dc:creator>Greg</dc:creator>
				<category><![CDATA[Music and the Arts]]></category>
		<category><![CDATA[Alison Kraus]]></category>
		<category><![CDATA[Americana]]></category>
		<category><![CDATA[Bill Monroe]]></category>
		<category><![CDATA[Epiphone]]></category>
		<category><![CDATA[Hardly Strictly]]></category>
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		<guid isPermaLink="false">http://www.gregfalken.com/?p=551</guid>
		<description><![CDATA[I was surprised when I looked back over previous posts here and found that I hadn&#8217;t written anything about the amazing duo of Gillian Welch and David Rawlings. I first became aware of Gillian Welch with her duet of I&#8217;ll Fly Away (with Alison Krauss) in the 2000 film O Brother, Where Art Thou. I [...]]]></description>
			<content:encoded><![CDATA[<p>I was surprised when I looked back over previous posts here and found that I hadn&#8217;t written anything about the amazing duo of <a title="External link to Wikipedia" href="en.wikipedia.org/wiki/Gillian_Welch">Gillian Welch</a> and <a title="External link to Wikipedia" href="en.wikipedia.org/wiki/David_Rawlings">David Rawlings</a>. I first became aware of Gillian Welch with her duet of <em><a title="External link to Wikipedia" href="http://en.wikipedia.org/wiki/I'll_Fly_Away">I&#8217;ll Fly Away</a></em> (with Alison Krauss) in the 2000 film <em><a title="External link to IMDB" href="http://www.imdb.com/title/tt0190590/combined">O Brother, Where Art Thou</a></em>. I later saw her perform with David Rawlings at the <a title="External link to another site" href="http://www.strictlybluegrass.com/">Hardly Strictly Bluegrass Festival</a>, in San Francisco and I was thoroughly hooked.</p>
<p>While Gillian has been more in the foreground, David&#8217;s contribution as singer, producer and guitarist extraordinaire make the pair into an inseparable whole. Their music is often quiet and introspective but also displays a full range of emotions. I actually find this performance of <em>Caleb Meyer</em> to be frightening in its intensity.</p>
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<p>A new project, <a title="External link to MySpace" href="http://www.myspace.com/daverawlingsmachine">The David Rawlings Machine</a>, puts the musical emphasis on David&#8217;s voice and songwriting. In this short set for the NPR&#8217;s <a title="External link to another site" href="http://www.npr.org/templates/story/story.php?storyId=92071316">Tiny Desk</a> series, Gillian and David perform 4 songs. The first, <em>I&#8217;m on My Way Back to the Old Home</em> by <a title="External link to Wikipedia" href="http://en.wikipedia.org/wiki/Bill_Monroe">Bill Monroe</a>, actually starts out as their sound-check but turns into a full and thrilling version of an old standard.</p>
<p>The sound geek in me notes that this session was recorded with a single microphone and the &#8220;mix&#8221; we hear is Gillian and David themselves drawing on more than 15 years of performing together. Note too that David&#8217;s instrument of choice is the 1935 Epiphone Odyssey arch-top that he plays in both of these clips.</p>
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